Audio

• Atonement

• A Momentary Meeting

• Music for D&D

• The Curse Breakers Sea Shanti

• The Helper of Sharewell

• Infinity

• Chaos Void

• Caldera - Re Score

• Have You Been Practicing

• Dark

• Ilumëo

• Filgram's Fishing Theme Song

• Gravity

• -

• -

• -

• Atonement OST - Listen on Youtube

• Atonement - Live on itch.io

About This Game

Atonement is a short, linear story where you play as Dustie, an old AT-TR 4 cleaning robot who has to reach the last rocket off the now destroyed Earth.On the way to the final rocket, Dustie finds and rescues Orba, a companion bot designed to be a child's best friend.You're on your last battery with only days, hours, and minutes left to reach the rocket and escape. Will you make it in time, or will the rocket leave you and Orba to rust in the endless piles of trash?

About The Music

The Game Jam theme of “Trash” inspired my use of industrial drum samples and lo-fi processing to create a distorted, gritty texture.To emphasise the game’s futuristic, dystopian setting, I incorporated a synth bass, providing a dark and mechanical foundation. The game’s setting and narrative heavily influenced the composition; I employed a drone to anchor the music, establish mood, and provide tonal colour throughout the experience.Piano and harp highlight the character’s innocence, introduced through a simple two-note motif. As the game progresses, I gradually add harmonic and rhythmic layers, increasing complexity and, at times, introducing dissonance to reflect narrative tension.It was important that the music hit narrative beats to highlight character pogression though the story. For example, on level 4, when the player sees the rocket / the game's win condition for the first time, the "Wonder" Theme Plays, which quickly diverges into the "Disappointment" once the player sees all the obstacles in their way.
This is just one example where Fmod and Unreal Engine was utalised to trigger musical transitions that either added a new layer or transitioned to a new part of the score._{You can listen to the score and see the Fmod events below.}

Level 1

Level 4

Level 2

Credits

Level 3

Sound Design

About This Game

A Momentary Meeting is about exploring an ever-changing world, and the fleeting interactions you have with other people along the way. A multiplayer text adventure where the links between "rooms" change over time, and occasionally you'll meet someone else in the same space. Your meeting is short-lived, however, as the ever-changing world pulls you apart and thrusts you back somewhere nearby.

About The Music

Six looping tracks, each approximately two minutes in length, created in 48 hours. The music blends electronic and orchestral elements, designed to evoke a sense of serenity and intrigue while capturing the unique atmosphere of each location. Each track maintains cohesive thematic connections across the set.

• Play Game Here

• Global Game Jam Page

The Void

The Cave

The Town

The Forest

The Beach

The Castle

About This Game

For my final composition student project, I set out to create my own setting and adventure, with each scene supported by music that I composed specifically for them.To present my project, I created a Twine using Twine 2 using the SugarCube2 story format. Twine was a program.

About The Music

A dynamic medieval orchestral soundtrack designed to respond to player choices, dice rolls, and shifting scenes throughout the experience. Using evolving leitmotifs, orchestral textures, and adaptive transitions, the music changes seamlessly to reflect narrative outcomes, moments of success or failure, and the changing flow of gameplay, creating an immersive and reactive fantasy atmosphere.

The Notice Board: Gateway To Adventure

The Sheriff

Old Alice

Crack! Whoops I Stepped On A Twig

Oh Look I Found A Trap: Fey Round

Ashdale

The Farm

The Forest: Follow The Bird

Shh Quiet!

Oh Crap I Found A Trap: Fey Round

• Back To Audio

About The Music

An original intro theme composed in the style of Pirates of the Caribbean for my D&D group as they adventured through the pirate city of Luskan in the Forgotten Realms, featuring sea shanty-inspired chord progressions and adventurous orchestral motifs.

Lyrics:

Verse 1:

Space man, hooked on a feeling
Mr business man, what drugs are they dealing?
A talking raccoon and a dancing tree,
The blind man doesn’t need his eyes to see.
Are you worthy, Thunder god?
Shouted a quiet guy with a tuning rod.
Where did you hide the metal king cat?
Metaphor man’s still got a score to settle.
There’s a man that no cage can hold
And a girl that shakes like marigold
In the light of hells two moons
Assassin lady showing space man she’s got the groove.

Chorus 1:

And we’ll all get together chasing infinity
We’ll all get together racing to infinity
We’ll all get together chasing infinity
Avengers Assemble now!

Verse 2:

Back home there’s a Hero’s war
The Hawk-eyed man like he never saw
What gets your blood boiling Mr Green?
Government try to make you choose their team?
A Stark reminder put down your gun.
They said Winter man is on the run.
Star Spangled man reaching for the end of the line,
His girl English was a step ahead of her time.
Lady Red she’s done sitting on the fence
Synthetic man lost his common sense
Arachnid kid’s trying to prove his worth
Tinny man grew in size and then back down to earth.

Chorus 2:

We’ll all get together chasing infinity
We’ll all get together racing to infinity
We’ll all get together chasing infinity
Avengers Assemble now!

Bridge:

Falcon man did they clip your wings?
Doctor Magic did you see strange things?
A Witch in violation of her house arrest
Here’s another purple man we can detest!
I know a guy who lost his left hand,
He got to meet his favourite band
and he said

Chorus 3:

We’ll all get together chasing infinity
We’ll all get together racing to infinity
We’ll all get together chasing infinity
Avengers Assemble now!

Chorus 4:

We’ll all get together chasing infinity
We’ll all get together racing to infinity
We’ll all get together Chasing infinity

Outro:

Team Assemble now!
Defenders
Agents
Guardians
Avengers Go!

• Back To Audio

About The Music

A psychedelic rock song inspired by the Marvel Universe, drawing influence from Lucy in the Sky with Diamonds by The Beatles, Desolation Row by Bob Dylan, and Maya the Psychic by Gerard Way.I created this song as part of a student project for my composition major production.This song features a psychedelic drone synthesiser that I created from sampling my Acustic guitar with an alligator clip attached to one of the strings to create a pitched harmonic tone and using it to create my own Drone Synthesiser. A Lesslie speaker effect was added to create that iconic 80s Psychedelic sound.This sound can also be heard on Chaos Void, which was another track I created for the same project.

• Back To Audio

About The Music

A composition comprising of only sounds created from guitars, i.e., Strumming, Plucking, bowing with a violin bow, Hitting, and cable interference. Alligator clips on strings.I created this track as a part of a composition student end of year project, also featuring the song "Infinity".

Instruments used:
Acoustic
Electric
Twelve string Acoustic
Baritone
Bass Guitar

About The Music and Audio

Student project created during Film Music Ensemble: a complete re-score and sound design for the short animated film Caldera, featuring newly composed music and original sound design.

Sample Sound Design Cues:

Evil Machine

Sky Scraper Morphs into Scary Monster

The Sound Design of Evil and Magic

Rumble

Under Water Magic Wisps, Explosion and Earth Rumble

My Cues & Contributions:

• Back To Audio

About This Short Film

Ever wonder what happened to the music student who didn't practice or study for their assessment?You don't want to know... So you better go practice because you don't want to get haunted by... the Practice Ghost!Have you been practicing is comedy horror short film project created by four students during our Introduction to Film class, supported by our teacherIn the making of this short film, the class went through all the processes that a commercial project would undergo. From conceiving the idea for the film to scripting right through to filming and compiling the final edit, all in under 6 weeks.

About The Music

This version of the film contains my interpretation of the Music brief.The music draws inspiration from the scores of John Williams’ Jaws and Bernard Herrmann’s work on The Birds and Psycho.I also created an original arrangement based on a violin piece by Johann Sebastian Bach, which is featured during the retelling of
“The Practice Ghost” story, serving as the piece she was performing at the time of her death.The blooper sequence is underscored by a pre-existing guitar and drum composition of mine, selected to reinforce the comedic tone while injecting energy and momentum.

• Back To Audio

About The Music

An electronic instrumental track featuring synthesisers, electronic drums, piano, and string quartet.

• Back To Audio

About The Music

"Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.” – Yoda.My intention behind this composition was to take the listener on a journey through the seven emotional states:

The title Ilumëo translates to the word truth in the Ancient Language created by Christopher Paolini in the Inheritance Cycle book series.
I chose this title because someone speaking in Christopher Paolini's Ancient Language cannot tell a lie and I feel like for me this rings true with the language of music.

• Back To Audio

About The Music

Theme music I made for a Dwarven Themed Carnival Fishing VR mini game that I worked on as both Game Designer, Sound Designer and Composer.Filgram's Fishing Theme Song uses the melody from the children's folk song "1,2,3,4,5 once I caught a fish alive."In Filgram's Fishing, you play a dwarf who stuns ore fish in lava with dynamite, then uses a crane to collect them. Your goal is to catch the most valuable fish and earn the highest score before the machine’s 5-turn battery runs out.